"Icon","dc-subject","Name","Chronology","dc-creator","dc-date","dc-description","Id","Redirect","UserLevel","dc-title","Collection","dc-publisher","Type"
"Agora:PublicationPage:Agora-1-12::/Agora/Publications/Agora/Agora 001/Agora 001 012 (xii).png::1438::2048","","Agora 1, s. 12, p. xii","","","","Agora 1","Agora:PublicationPage:Agora-1-12","","","Delbrück, Richard, Antike Porträts (Tabulae in usum scholarum, editae sub cura Iohannis Lietzmann, VI). Bonn, 1912","Agora","","PublicationPage"
"","Red Figured And White Ground | Skyphoi | Corinthian Type","Agora XXX, no. 1327","Ca. 430 B.C.","","","Three non-joining fragments, a + b + e and c with rim and wall as well as start of handle, d of wall. Reserved line at top of rim. Some of the drawing abraded. P.H. a/b/e) 0.118; est. diam. at rim 0.17; max. dim. c) 0.048, d) 0.052. A. D. Trendall, Charites: Studien zur Altertumswissenschaft (Festschrift Ernst Langlotz), Bonn 1957, pl. 25, 3; LIMC II, 1984, p. 269, no. 690:c, s.v. Apollon; J. Oakley, Hesperia 57, 1988, p. 186, cat. no. 58, pl. 53; LIMC VI, 1992, p. 670, no no., s.v. Mousa, Mousai.; ; A, Apollo and Muse. Fragment a + b + e (illustrated) shows Apollo (wreathed head, shoulders, right arm, hands) sitting to right with his lyre, dressed in a chiton. Before him stands a Muse (right arm, most of legs missing) holding a lyre in her left hand. She wears a peplos and has a leaved fillet around her head. Above Apollo's head is an uncertain object (a small shrine[?]). Above his lyre: ; ; On the right, crosshatching, then a lozenge pattern with dots. Fragment c gives more of the crosshatching, and fragment d, both patterns. White (flaked): cord of Apollo's plektron; inscription; vine and berries of wreath; strings of fillet.; ; For the ornamental pattern beneath the handles, see Oakley, Hesperia 57, 1988 [ pp. 165--191], p. 171, note 25 with bibliography; also K. Schauenburg, JdI 103, 1988 [ pp. 67--85], pp. 81--84. Crosshatching to either side of the handle recurs on a skyphos Type A by the Marlay Painter, St. Petersburg, St. 808 (ARV2 1278, 33): I do not know what pattern appears directly below the handle. Lozenge pattern at the handles may also occur on skyphoi of Type A. Some examples are: Chiusi C 1828 by the Painter of Brussels R 330: three vertical bands of lozenges separated by chevrons (ARV2 930, 99; Addenda 306); Oxford 1966.709, compared with the Marlay Painter (ARV2 1281, ---; Paralip. 473); three unattributed: Utica (Tunisia), no no.: lozenges framed by crosshatching; A, satyr and maenad; B, lost; Louvre S 4055: lozenges framed by crosshatching; A--B, two satyrs; Warsaw 142210 (CVA, Varsovie 3 [Pologne 6], pl. 48 [279]:5). I know the Utica and Louvre examples from Bothmer's photographs. For the lozenge pattern on a stemless cup, see 1348.; ; C. Clairmont (""Studies in Greek Mythology and Vase Painting,"" Yale Classical Studies 15, 1957 [ pp. 161--178], p. 165, note 6) thinks that 1327 represents the contest between Apollo and Marsyas, for he did not accept Beazley's suggestion, made in the summer of 1953, that 1337, which shows a satyr, does not belong to 1327.; ; The Marlay Painter (ARV2 1278, 35).","Agora:Object:Agora XXX:1327","","","","Agora","","Object"
"Agora:PublicationPage:Agora-30-16::/Agora/Publications/Agora/Agora 030/Agora 030 016 (xvi).png::1438::2048","","Agora 30, s. 16, p. xvi","","","","Agora 30","Agora:PublicationPage:Agora-30-16","","","G.M.A. Richter and M.J. Milne, Shapes and Names of Athenian Vases, New York 1935","Agora","","PublicationPage"
"Agora:PublicationPage:Agora-31-16::/Agora/Publications/Agora/Agora 031/Agora 031 016 (xvi).png::1481::2048","","Agora 31, s. 16, p. xvi","","","","Agora 31","Agora:PublicationPage:Agora-31-16","","","Mitchel, F. 1970. Lykourgan Athens: 338-322 (Louise Taft Semple Lecture, 1968), University of Cincinatti","Agora","","PublicationPage"
"Agora:PublicationPage:Agora-1-13::/Agora/Publications/Agora/Agora 001/Agora 001 013 (xiii).png::1438::2048","","Agora 1, s. 13, p. xiii","","","","Agora 1","Agora:PublicationPage:Agora-1-13","","","Hans Peter L'Orange, Studien zur Geschichte des spätantiken Porträts (Instituttet for sammenlignende Kulturforskning. Series B: Skrifter, XXII). Oslo, 1933","Agora","","PublicationPage"
"Agora:PublicationPage:Agora-26-15::/Agora/Publications/Agora/Agora 026/Agora 026 015 (xv).png::1495::2048","","Agora 26, s. 15, p. xv","","","","Agora 26","Agora:PublicationPage:Agora-26-15","","","T.V. Buttrey, A. Johnston, K.M. MacKenzie, and M.L. Bates, Greek Roman, and Islamic Coins from Sardis (Archaeological Exploration of Sardis Monograph 7), Cambridge, Mass./London 1981","Agora","","PublicationPage"
"Agora:PublicationPage:Agora-11-14::/Agora/Publications/Agora/Agora 011/Agora 011 014 (xiv).png::1461::2048","","Agora 11, s. 14, p. xiv","","","","Agora 11","Agora:PublicationPage:Agora-11-14","","","A. Blanco, Madrid, Museo Nacioinal de Pintura e Escultura, Catalogo de la Escultura, Madrid, 1957","Agora","","PublicationPage"
"Agora:PublicationPage:Agora-14-22::/Agora/Publications/Agora/Agora 014/Agora 014 022 (xxi).png::1454::2048","","Agora 14, s. 22, p. xxi","","","","Agora 14","Agora:PublicationPage:Agora-14-22","","","The Athenian Agora; Volume 014; The Agora of Athens; The History; Shape and Uses of an Ancient City Centre; Select Bibliography","Agora","","PublicationPage"