"dc-creator","dc-subject","UserLevel","Name","dc-date","dc-publisher","Redirect","Collection","Icon","dc-description","dc-title","Type","Id","Chronology"
"","","","2012.23.0369 (5-210)","","","","Agora","Agora:Image:2012.23.0369::/Agora/2012/2012.23/2012.23.0369.jpg::1510::2048","AMS","Herm portrait: inscribed.","Image","Agora:Image:2012.23.0369",""
"","","","S 586","22 May 1935, 24 May 1935","","","Agora","Agora:Image:2012.03.4446::/Agora/2012/2012.03/2012.03.4446.tif::1906::4368","Completely preserved except for phallus. The top of the head is flat and rough-picked, and was probably originally finished with stucco.; Realistic portrait of an elderly man, the lines and folds of flesh of the face are carefully shown, including even the circles under the eyes. The lips are thin, the pupil and iris of the eye are both indicated. The separate locks of hair are represented. ; Pentelic marble.; The inscription reads: Μοιραγενησ Δρο;  μοκλεουσ εκ Κοιλησ;  επωνυμοσ Ιππο;  θωντιδοσ φυλησ; ; ; ADDENDA Cf. the Moiragenes on the basis of the choregic monument in honor of Philopappos 87/8 A.D., illustrated in Graindor (1931), Athenes de Tibere a Trajan, fig. 4, in almost identical letters (note by BC).; Wrong deme (note by EBH).","Herm Portrait: Inscribed","Object","Agora:Object:S 586","Period of Hadrian"
"Harrison, E. B.","","","Agora I","1953","American School of Classical Studies at Athens","","Agora","Agora:Image:2009.09.0031::/Agora/2009/2009.09/2009.09.0031.jpg::104::150","Presented in catalogue form are 64 portrait heads, headless torsos, and fragments (of both categories) ranging in date from the first half of the 1st century B.C. to the 5th century A.D. The catalogue is preceded by an introduction dealing with “finding-places,” “material,” “forms of portraits,” and “subjects.” Special emphasis is placed on stylistic criteria for dating each work, and the more interesting examples are discussed in some detail. There are not many great works of art illustrated, but many interesting types. As the author says in her introduction, “the Agora portraits interest us, not because they are unique, but because they are representative.”","Portrait Sculpture","Publication","Agora:Publication:Agora 1",""