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| Broken at bottom. Some of surface, especially on face, gone.
Upper torso and head of frontal grotesque female figure. Hair worn down back. No clear traces of drapery. Arms not preserved.
Inside smooth ... 29 June 1973 ... Leica, 81-50-14 |
| Head alone preserved.
Bearded head with two horns from forehead.
Reddish clay.
ADDENDA Roman 1st AD. Koroplast's dump. resting in thin Ethafoam layer to prevent movement inside plastic box with lid
as ... 25/28 July 1995 ... Agora |
| Broken above, on right and below.
Lower leg of goat, probably a Pan figure. Upper thigh is thick and shaggy above thin shank. Solid, with irregular back.
Soft pinkish buff fabric. Inventoried 30 July 2002 ... 30 June 1999 ... Hesperia Suppl. 47 (2013), p. 111. |
| Upper part of handle preserved, from join with neck to just beyond curve; long chip missing from one side.
Pinkish-buff clay; yellow creamy slip on surface.
Rectangular stamp, with small neat lightly ... 26 June 2001 ... Hesperia 75 (2006), p. 366, table 2. |
Bevelled ring foot; bell handle, glazed outside. Rim flat on top, reserved. Inside, reserved central disc with two glazed circles and dot; outside, glazed band and line, outer and inner faces of foot, ... 520-500 B.C ... Hesperia. Suppl. IV, 1940, p. 38, ... 8821 E 14:5; and two feet, P ... 726 and 727 are P 17860 R |
| In relief on the outside, overlapping petals, and the bottoms of big leaves. From a shallow bowl or kantharos.
Dull brownish glaze outside; red inside.
Cf. P 19377.
ADDENDA GRE calls it "Megarian" and ... 9-12 June 1935 ... B 14:3 |
| Part of base and lip and much of upper body restored in plaster. Projecting ring foot and pointed convex lower body, meeting the convex, nearly flat upper body at a sharp angle. Tall narrow neck, thickened ... May-June 1937 ... slip, unglazed.
Cf. P 21765 |
| From a large open moulded bowl; elongated petals on body. Turned-up horizontal twisted handles.
Gray clay, black glaze, much peeled.
Gray Ware, "Pergamene style".
Cf. Agora XXXII, no. 1 (P 4574). Hellenistic ... 11 May 1934 ... style".
Cf. Agora XXXII, no. 1 (P 4574). |
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