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Inscription fragment.
Broken above and below; the sides smooth picked, the back rough picked.
Four lines of the inscription preserved, and a trace of a fifth above.
Pentelic marble. Found in pit in Poseidon ... Ca. 100 B.C ... I 4 |
| Inscribed altar of Zeus Hypsistos; votive offering (?).
A columnar type altar with plain projecting moulding at top.
In upper surface a circular depression.
Inscribed on column just below moulding.
Hymettian ... 2nd.-3rd. centuries A.D ... 2nd.-3rd. centuries A.D. |
Inscribed fragment.
Inscribed face only preserved.
Five lines of the inscription preserved; stoichedon.
Space between lines, three including: 0.049m.
Space between letters, three including: ca. 0.048m ... 28 April 1939 ... I 5792 ... I 5792 |
Broken and mended with small missing pieces restored in plaster and painted. Reserved groove at top of foot on outside. Reserved line on inside just below rim; another, 0.055 below rim. Glaze misfired ... Late 5th century B.C ... Red Figured And White Ground | Bell-Kraters | Type 2 | Bell Kraters With |
Part of body only preserved, mended from four fragments.
Two women facing; right hand figure, in chiton and himation, preserved only from below knees; left hand figure, in chiton with girt-in apoptygma, ... 26 May 1932 ... I-J 18:1 |
Inscribed fragment.
Inscribed face, left side and back preserved.
Nineteen lines of the inscription preserved; stoichedon.
Space between lines, five including: ca. 0.052m.
Space between letters, five including: ... Before 321/0 B.C ... U 22:1.2 |
| Inscribed fragment.
Rough picked back preserved; otherwise broken.
Above the first line, a moulding, much battered; then traces of a relief.
Preamble to decree, archonship of Euainetos.
Eight lines of ... 335/4 B.C ... I 3960 ... I 3960 |
Floor fragment. Max. dim. 0.055; est. outer diam. of tondo 0.13.
I, man (head) to left. Behind him:
retrograde. Around the tondo, stopped-maeander pattern. A, warrior or Amazon (short chiton, right ... Ca. 470 B.C ... of tondo 0.13.
I, man ... 415 (ARV2 868, 45; Paralip ... the figures on Louvre G 264 |
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